December 5, 2009

Here It Comes Again!

Ah my thoughts
They run together
Through the fields
And o'er the heather

Ah the blood
Beats through my brain
From my heart
And back again

The karmic cycle does repeat
The restlessness of hands and feet

The stinging words
The sustained lies
The hackneyed wind
From wings of butterflies

That rounds the world and does repeat
As the tidal wave that sinks a fleet

Every love I've ever done
Every loss I wished I'd won
Beneath the sand 'tween every stone
An echo, echo, life I've known

And had I'd been another man
Twice my size, twice as grand
That error'd not, the moment seized
What courses taken, what pleasure squeezed

These misses 'round the world repeat
These clapping hands, these stamping feet

And one day an old man am I
Stumbling, stuttering, getting by
Wondering if I'd phrased it so,
Or begged her not, her hand, let go

Or if I hadn't thrown that rock just so
At six, a felon, a cracked window
Or if I'd simply whispered "yes" not "no"
What cloudy fates I'd surely know

What kind of man I could have been
Lives I could have led, sins I could have sinned
Oh to simply chalk it up to sweet regret,
Forsakes a truth not mentioned yet

That the rock I threw when I was six
Brings the window owner into the mix
Caused Mr. Robertson to think of me
Of who I am, of who I'd be

These simple thoughts, these thoughts unfurled
A butterfly wing's wave unleashed upon the world

The blood that beats through Mr. Robertson's brain
Of course creates its own refrain
And a neuron formed by me
Rings a note through eternity

As memories age, they do not die
Just as loves and hatreds - they do not die
They round the world by and by
And find themselves in many forms
In graceful poems, in legal terms

The life I lead it does repeat
My clapping hand, my stamping feet
Do beat a rhythm that sets a time
A tempo that carries on past mine

One day my beating heart will stop
My bones will break, my skull will rot
But while I live, I'll live gently
And search for worthy melody
And when I hear the sweetest song
I'll practice, practice, pass it on

November 2, 2009

The Lights Somewhere Near Albany

It's 9 pm. The sun must have gone down at 5 today and I am on Route 87 South from Montreal to Philadelphia. I have never been on this stretch of highway before in upstate New York. It's dark and desolate. Mountains form a curvy line against the night sky. They stretch out in front of me and above them the sky becomes purplish. There are lights out there somewhere near Albany. I pull off into a side parking area for a quick break. It's starting to rain.


It's completely black on this shoulder, and while I'm stretching in preparation of the all night drive ahead, it occurs to me that this is one of the great road trips of my life. As I pull back on the road and wonder, "what are the others?" I identify them one by one. There are only a handful: long trips through sunny rolling fields, short trips across town that I've driven a hundred times, but somehow seemed new and fresh, trips to get lost, trips where the destination couldn't come soon enough, and trips where the destination would come much too soon. The trips I have categorized in my mind have one thing in common; I'm driving them all alone.


Usually, there's a woman on my thoughts and leaves on the trees are more colorful than I've noticed them before, the music on the radio is speaking to me, and the future is full of bright ambition. Or, just as common, things with the woman didn't work out, never for lack of trying, and the road is lonely and only leads away from a life I could have lead, a happiness that could have been – if I'd been someone else. During the hopeful ones, I reason, I was clearly being irrational, the hapless ones – clearly just as tragic as I identified them to be while driving them.


Today's trip is different. I am not leaving home or going home and behind me in the middle of the van, tucked between the two middle seats, is a tiny black metal box.


I drove to Montreal last night from Camden, Maine. I spent the night at the apartment of my production designer, and met up with my directors of photography the next afternoon. It was all for an hour with this colorist named Dan, whom the DP's informed me, had worked on several feature films. "This guy can do amazing things." I would only have an hour or so meeting with him, but he had already agreed with the DP's that he would help make my flat Super 16 image look like a movie. "This will be my oasis from this commercial drudgery," says Dan.


"I hope it can be your oasis," I reply. Dan, like so many others has volunteered his time and expertise to make a short little film called "The Nightingales Sing" into a real movie. It was so amazing to have worked with so many people passionate about this project. I am filled with gratitude and appreciation, and a new outlook on the possibility and plausibility of all my creative designs. It makes me excited about the future. Did it all really happen? It could have been a dream, but the little black box, a 1.5 terabyte mirrored RAID hard drive, serves as a testament to the sweat and faith of so many people.


I'll arrive in Philadelphia in the small hours of the morning. When I hit New Jersey, a light rain will come down and will pick up steadily as I near my destination. But for now the road is quiet and serene. Mountains form a curvy line against the night sky and beyond the mountains, there are lights.

November 1, 2009

Belly of The Beast

(Life & Love in the Bowels of a Cruise Ship)


"My mother was a worker. My father was a worker. That's how I was raised, but the economy started to fall apart when capitalism took hold. Now there's nothing for me. I am a Serbian, but I live in Croatia where my people are discriminated against and cannot find jobs." Aleksander's face is expressionless, but he looks down at his bottle of beer. A hip-hop video plays on a flat screen across the room. We turn away and hide in the dim light at the far corner of the bar.

"Can I buy you another?" He asks me. "It's the least I can do for making you fit my schedule." I nod. Aleksander has finally switched from the night shift (5 PM to 5AM) and we are celebrating our rare occasion to hang out. At days when I would get up early to see the sunrise, he was just heading off to sleep. Even so, it is late in the evening and he now has to get up at 6 in the morning, but he's making an exception for me.

"I'm 32, I'm not a kid anymore… And I don't know how much more I can take. I've got to figure something out. Look Dave, I'm an assistant waiter!" I have never heard Aleksander laugh, and seldom seen him smile. Though seriousness seems to be a part of the culture of these Eastern European countries transitioning to capitalism, it's about achieving your dreams too. For my friend, as he tells me, he'd simply like to have a family and be able to support them. "I cannot do this as an assistant waiter, but maybe if I transition to Guest Services…"

"Yes, you can do better Aleksander!" He nods appreciatively. Despite his stone face, his eyes are warm and sad and I immediately regret my remark as quite naive. He was telling me he was capable of more and I was telling him he could do more. I have come to understand that these are two very different things. Here, on this ship, even close friends when talking about European politics or age-old cultural rivalries make excuses for me. "Don't worry, he's an American." As if ignorance and being an American go hand in hand.

It was not where I chose to be in life, trolling the Caribbean on one-week itineraries to Mexico, Belize, and a whole host of tropical islands, but it was, as I would often tell vacationers, "not a bad way to hide from the recession." For half a year, I worked, ate, slept, and spent my life in the bowels of a cruise ship. Spanning a length over three football fields, with clientele numbering above 3,000 turning over every week, and a crew of over 1,000 coming from over 50 countries, it was a veritable international city on the sea.

I first met Aleksander during our many orientation sessions the day after boarding the ship. I was a "sign-on" for the Audiovisual Department and met with sign-ons from several other departments: kitchen, spa, casino, garbage, etc; a new group of us processed and trained every week. Despite the balding corporate trainer, Steve, being very friendly and my bunkmate in our claustrophobic cabin, these sessions always left a bad taste in my mouth. Steve would play the excruciatingly cheezeball "It Just Takes A Hello!" hospitality video, preach the zero tolerance policy for drunkenness and drinking on the job, and even rap: "We're in the E. O. Z. (Yeah, you know me)." "E.O.Z." equals "English Only Zone" equals "strange languages make American customers ("guests") uncomfortable." Steve once went to L.A. with a feature screenplay in hand. "How did that go?" I asked. "I'm thirty-five and I'm still working here. What do you think?"

It was during the "Guests Appreciate Your Smile!TM" Power Point that I first noticed Aleksander. In fact, our trainer pointed him out. "Now some cultures like yours sir, may not be accustomed to smiling, but here on the ship we have a different culture. We expect to see a smile. It is a way we acknowledge each other and show we like someone, and doesn't it feel good to be liked?" The question was more than rhetorical, said with the weight that a 3rd grade teacher says, "Good morning class." The sign-ons make strange mumbles of agreement. I'm not sure the Indonesians know what is going on, but they are grinning from ear to ear. While I reason to myself the pros and cons of required smiling, I look over at Alecksander's unfriendly demeanor. "What an ogre," I think.

"Oh, and one other thing – no complaining. Our guests paid for a vacation and want to feel good, and it wouldn't make them feel good to hear your boo-hoo, poor me, I work too hard, I miss my family stories. We are not forcing you to be here are we? Anyone here is free to go home anytime they like."

How hard were they going to work me? They told me an average of seventy hours a week, but I learned that for many crewmembers it is much more. Though primarily catering to an American market, the cruise ships all fly a flag of convenience that allows them to avoid the higher operating costs and the government regulation surrounding reasonable work hours. I ask a Canadian woman "Do you feel your human rights have been violated?" and receive an unequivocal "Yes." A doctor tells me it's common to see crewmembers feigning illness so they can get some sleep. My ship flew a Panamanian flag; all but ironic considering our history of military intervention in that country. It may be hypocritical of us Americans to create social policies to protect ourselves from abusive labor practices and then create a global situation so that it does not apply to anyone else, but if we need our beer-soaked vacations, then so be it.

Having served in the Peace Corps, and slept in the company of rats, bats, cockroaches, and masturbating adolescents, I feel I have the authority to say that adapting to ship life is rough. Grown men have been known to cry, and I can painfully recall one particular hour where I sat on the shower floor, my legs stretched out to the other side of my bathroom, with not a friend in the world and hopelessly out to sea.

Work was not going well. There's quite a difference between the video work I've done on land and the video I had to do at sea. "Don't worry. It's easy, you can't fuck up" my Romanian boss told me in response to my battery of questions. I was to shoot a 3-hour Catamaran snorkeling cruise in St. Maarten. I brought back an hour's worth of footage, and proudly started capturing it using our antiquated editing software. My boss looks over my shoulder. "None of this looks any good. You don't know how to use a video camera. I'll edit this. You go to sleep." He was always telling me to go sleep. It was only 8 pm.

"It gets better dude, I promise," says Steve back in the cabin.

"Oh yeah?" I respond. "When?"

"Honestly, I started feeling at home the first time I got drunk. You should come out to the disco tonight." This coming from the guy that just told me that I will get kicked off the ship if I am drunk. I call him on his hypocritical statement, but all he says is "It helps to be friends with the security guards."

So that night, I put on my suite and badge with my name and nationality (required at all times everywhere). Steve comments on my assertiveness with an "Awww, yeah" which is his response to most things. We stroll across the promenade on deck five, but a mug-faced security guard with poor English stops us at the door. He tugs at his collar, points a finger at me, and says, "review required look card."

"What's he talking about Steve? Do I need a tie?"

"I guess so."

"Review required look guard," the guard repeats louder.

"Aren't you supposed to know stuff like that as the corporate trainer?" Steve just shrugs.

The security guard steps closer to intimidate me, "Review required look card." These must be the only words he knows. I get the picture and return later with a tie.

The disco is a world completely unto itself. Steve introduces me to the players. "There's the officers – mostly Italian. Don't hang out with them. They're all dicks. Let me give you an example: what's so great about have sex with twenty nine year olds?" I give. "There are twenty of them. Hardy har har! Tell that to them, I guarantee they'll laugh their asses off." The officers all stand around the bar.

"Why don't they sit down?" I ask.

"On the ship guests always get priority. They keep the seats open in case a guest would like to sit down."

"But no one is going to sit down, they're blocking all of the seats."

"Yes, but that's the rule."

"Ok." I'm still trying to get the lay of the land. A group of giggly girls on the dance floor catches my eye. "And those girls over there? What do they do?"

"Those are the spa girls. A great bunch overall, but we sometimes call them sharpeners. As in, 'it's safer to stick your dick in a…" On closer inspection, some of the girls had heavy blue eye shadow. Even my girlfriend (whom I met months later), a spa girl but not a sharpener still had some major highlights. It seemed to be a rite of passage for every "normal" looking girl that joined the spa department.

By this time, I am feeling quite ignorant about cruise ship culture and Steve just seems to know a little too much. I suspected he was greatly embellishing. So I presented a challenge. "Ok Steve, which group am I in?" That looked like it stumped him. He thought for a moment. "Well, you're A/V which is a really small department. There are only three of you. Hate to say it dude, but you probably get bunched in to the Tech department. Kind of geeky, but don't worry dude. You're still new here, so just consider yourself fresh meat."

Steve left for the bar. Neither of us wanted me to be a leech, but not knowing too many people, I looked awkwardly around for a place to go. At one side of the disco were a bunch of tall tables that people just stood and mingled. It looked like a good place to start. Not wanting to place too much stock in Steve's stereotypes I took my place next to a guy about my age. He was an officer, standing very poised and looking out at the dance floor. "Kind of like a pigeon," I thought.

Well, one has to start somewhere right? "How's it going?" I ask. The officer nods his head, but doesn't break his gaze. I try again, "how long have you been on the ship." This time, I don't even get the nod. He completely ignores me. I turn and look at what the officer is looking at out on the dance floor: girls. He was posturing himself just so to emit a mating signal across the dance floor and I was creating interference. I would see the same guy around the ship in the early morning, usually with one of the top crew beauties under his arm. It occurred to me that he had qualities a lot of girls loved: young, an officer, Italian, and a complete asshole.

I soon became acquainted with a group of friendly guys. Brendan welcomed me to the ship and paid for a round. Jack introduced me to a dancer from Australia and another from Eastern Europe. We seemed to have instant rapport, which I could not understand. Certainly, these guys seemed strange combination. Jack, for instance, was always talking about the dancers, but I was pretty sure he was gay. On a later occasion, another spirit-filled night, I just couldn't take it anymore. Jack was quite explicit in his intentions for one of the dancer. Admittedly, I was at my limit, "Jack are you gay or what?" Jack went a little red in the face. Brendan stepped into to explain, "It's quite elementary really. I'm a straight man that likes to talk about penises. Jack's a gay man that likes to talk about vaginas." Though I didn't realize it that first night, by some unseen natural social vibrations, I had indeed fallen in with the techs.

That first night at the disco ended, like my memories of the ship: bittersweet. The most beautiful and physically skillful dancers had decided to suss me out. Perhaps I am misremembering their legs draped over me as the lights go up and Steve comes to retrieve me and help me walk straight when we get near security. As we head back to our cabin, I make another inquiry. "You never told the about the dancers. That blonde that kept fiddling with my tie, what's her…"

"Sorry bro," Steve cuts me off, "all lesbians."

It's past three for sure. I head down to the crew mess for a late night snack. I see Aleksander in the distance, stacking cups. Always stacking cups, or changing out the buffet trays. It's 3 am. This was when he was still working the night shift.

His eyes light up when he sees me. "Hey Dave."

"Hey man, you got a minute?" I grab a slice of pie from the line. The good stuff always comes out late at night. Remaining dishes from the guests' restaurant above I suspect. Aleksander finishes clearing a counter and comes over and sits with me. We sit in a booth like we might in some forgotten little diner, but a light from the deck twelve stories up shines down into the black water coursing right below our portholes. I am constantly reminded of how small we are: two guys having a late night conversation in an empty cafeteria while plowing through the blackness of the boundless sea.

"Having fun?" Aleksander comments with a smile. Apparently I am not as straight as I thought I could be.

I had a fantastic night. So I lie. "Oh yeah, I guess. Had to check out the disco. It was kind of cool. How's your shift going?"

"You know. Never changes."

"Yeah."

It's hard to breach the basic disconnect between us. I am "staff" and Aleksander is "crew." Even when he isn't working, Aleksander is stuck below. He does not have "guest area privileges" like I do. He is not allowed to go into the disco. If he wants to watch the sunrise, he will do it on the crew level at the front of the ship. He can't stand on the Lido deck and take in the view like I can. His lifestyle is vastly different than mine. He does not walk freely among and interact with the guests. The color and the glitz of Promenade deck, the glee of children splashing in the pools, the raunchy laughter of the piano bar... he doesn't see that side of the ship.

The truth is, though, that the parties aren't everything. This ship is a waterborne beast and alcohol runs through its veins. The bartenders, cabin stewards, guest service personnel, and assistant waiters are the heart that makes this vessel go. I wouldn't trade those fleeting conversations with him for all the parties in the world. For brief moments, in between his work and his sleep, I saw a man dreaming, hoping, rationalizing, planning, striving. I saw many, crushed under the weight of the work, but when I looked them in the eyes, so very alive.

I stumble back to my room as the ship rises and falls in swells. I pass a cross-legged man sitting in a quiet corner meditating. I climb the ladder to the top bunk and press my earplugs in deep. I can still hear Steve's alcohol-induced snoring, and above that the booming of the waves as they smash into the front of the ship, rattle and shake my cabin in ways that the guests in the mid-ship will never experience, and gently rock me to sleep.

My experience changes drastically a little over halfway through my contract. Her name is Jo. She's the acupuncturist in the spa. Every "Fun Day at Sea" I operate camera for a live feed of the cruise director making the routine announcements of the day, spouting off the promotions, and reading the anniversary, birthday, shout-out announcements to the waking guests. Every Wednesday since I began, Jo would come on the show to push needles into the cruise director or any of his unsuspecting guests. Now it's just the same, except that somewhere during her walk to the door after she exits the show, she smiles at me. No one else sees it. We're both happy.

On the ship, the difference between a newbie and an old-timer is about three months. If you're an American you'll get a six-month contract, if you're Indonesian it will be an eight-month contract. You can extend up to ten months. By now I am an old-timer, and I hold onto the friends I have, and am hesitate to reveal my expiration date to the new guys, lest they decide I'm not worth their time.

For a moment, I was on top of it all. A walk down the I-95, the main throughway on Deck 0, was a social circus. It was hand-pound after hand-pound. I could just hang out there all day catching up. But the faces in the crew bar have changed now, and when I go in people say "hey man, where you been?" I just shrug. They know where I've been…

Jo and I first started talking in this very same place. I did not go out of my way to talk to her; I seldom went out of my way to meet women. Too much of me was holding on to the past to embrace the future. My friends might simplify the issue to a need to "grow some balls." Nonetheless, I managed to hold down a conversation and as the minutes flew by, friends drifted away until it was just the two of us talking about qi and spirituality. Though she may have suspected some insincerity in me later, the truth is that I had never been so interested in acupuncture. As she giggled and spoke to me in her sexy British / South African accent, I somehow realized I was in a lot of pain. My shoulder was aching from holding that big expensive camera all day, could she perhaps take a look at it? Can anyone blame me for trying?

The few friendships that didn't start in the bar, found their way there eventually. I came in one night to order one Jack and Coke, just to put in the face time, just to show up, to convince myself I was making some effort to socialize, when Shy, a boyish Indian, showed up at my side. "This drink's on me mate. I never see you out."

"Oh yeah, we must just miss each other, I come down here a couple of times a week." Not really.

"Why don't you join me and my friend Anita over there."

"Ok," I made my way to their table. I can't quite recall what we talked about because we got piss drunk. Shy was a cocky young art steward whose line for the ladies was simply "Hello, I'm Shy." He could run with it from there. Anita was a serious Croatian photographer who had more stamina to party through the night than I can ever imagine having myself. I cannot explain how it happened, but in a matter of hours we became fast friends.

Anita & Shy posing

Jo sees her patients every Sea Day from 8 am until 9 pm. Afterwards she sees me. We usually stay in. Occasionally I'll convince her to watch a movie on my computer. Sometimes she'll feed me some of her vegan-friendly chocolate. Most of the time though, we lay around doing absolutely nothing. When we ride the sky car to a gorgeous view of the bay in St. Thomas, she lets me put my arm around her. She comes with me as I video a sunset snorkeling catamaran tour in St. Maarten and though we are prohibited from showing public displays of affection in front of the guests, our hands still manage to touch. Somewhere between scuba diving in Mexico, and kissing in a waterfall-hidden cave in Jamaica, time speeds up.

"What happens next?" she says to me in not so many words. "We need to just be friends," she tells me in an effort at self-preservation. "I know ship life. I know what happens." There are tears in her eyes. We've had a good run. Most aren't so lucky.

My new supervisor shakes his head and tells me I did it all wrong. He explains his strategy. "I have a list, you see, of all the crew members and their sign-off dates. You just pick the girl with the closest sign-off date and bang her. Then when she leaves, you bang the next one on the list, and so on. Quite systematic." On the other end of the spectrum is the story of the spa girl and a jazz trumpeter that fell madly in love. The trumpeter couldn't carry his weight with the band, so one day back in the U.S. port he gets a knock at his door at 6 am. It's security. They tell him to pack his bags. He's off the ship by 11am. From what I know, it is the official policy to fire you the morning of your departure so you don't do something crazy – like throw yourself off the ship. I would sometimes pass the spa girl in the halls. She couldn't keep mascara on for days.

Jo and I have sign-off dates a week a part. "It's going to be so hard without you." She squeezes me tighter. "Everyone I know is gone." After what seems like forever, the end has come so suddenly, but not too soon. The faces on the ship have all changed since I began. It's my time to go. We have a get together in the crew bar and my friends all come to see me off. They talk about all of the embarrassing things I did, and tell me I'm always welcome to their houses if I am in their part of the world.

We talk about the parties and the good times. Memories like the water party on the top deck; a mixture of alcohol and water balloons. For a moment we were all kids again, and telling someone you liked her was as simple as pegging her with a water balloon. If she liked you too, you would have to duck. Your boss was sure to get what was coming to him. We talked about the wedding between the spa manager and the photographer in St. Thomas. The night of the reception the Chef de Cuisine made the most delicious spread I have ever seen. We all danced until late.

My friends are all "staff" now. It's easier. We eat together. We work together. We work similar hours. During a lull in the conversation, I notice Aleksander's absence. "I'm sorry I cannot make it to the bar Dave," he explained earlier that day, "I'm back on the night shift."

"But you hated the night shift."

"It is better for me there. It is quieter. If I stayed in guest dining they said they were going to promote me to a waiter position, but I don't sing or dance. I don't enjoy that."

It's getting late. I give a round of hugs coupled with promises to keep in touch and I wave a last goodbye. It's time for bed… after one late night snack that is. I know where Aleksander will be, and sure enough, as I enter the vacant mess hall, he is in the back stacking cups just like it was six months ago and we were brand new; as if he simply never stopped.

We say our goodbyes in one of the booths. He extends his hand to me. "So, Eastern European's don't hug huh?

"Ok, Dave, for you." We try. We knock heads.

"I guess not!" I laugh as he picks up a washrag.

"I am sorry. I only had five minutes, I'm not on break."

"That's alright." I tell him I understand, although I am not sure that I do. Despite my efforts, I feel I have come short. Just as the guests above know little about how over a thousand human beings make this ship go, I feel the staff also are generally unaware of what life feels like for a crewmember. A sobering thought crosses my minds and lingers with me still: that ignorance is bliss and that it is the nature of man to be blissful. Any change in the world must take into account that we cannot help but ignore what discomforts us.

Only when the cruise ship shrinks down to the size of my thumb as I look out the bus window do I realize how tiny it all really is. Six months of my life eating, sleeping, working, and loving in one floating building. And what have I gained? Some numbers changed slightly on my banking statement. They'll change back again real soon. Some stories for the folks back home. Friends I can count on one hand that may very well last a lifetime. A few light creases on my face born of late nights and alcohol. Wisdom and understanding? I'd call it appreciation and respect.

Tonight my ship will be sailing on course to Nassau in The Bahamas without me on it; not a man missing. And months from now it will still be trekking through the blackness of night at a constant rate of 26 mph. My friends, the brothers from Tobago, will be playing Bob Marley on Lido Deck under a string of lights. On Deck 4 Forward, a woman will be standing at the bow. She will be singing a song to herself in a language from halfway around the world. Though I never understood the words, and do not hear it now, the melody remains.

August 28, 2009

The biggest, craziest, riskiest, most expensive, most incredible thing I've ever done.

Out of the darkness, Emilie's face is wide-eyed. She mouths the word "action" over and over again. I hear the whirr of my super 16mm film burning through the mag. I can feel the presence of 18 odd people in the blackness waiting, fearing to even whisper because "sound is rolling."

"Why isn't he calling action!?" I can feel their nerves firing off in my direction as brain waves. "Call action dammit! Call action!" Something's not right. It's too dark. How can the film possibly come out properly exposed? "Call action David! Call action!" Through the brainwaves, someone swears at me in French. "We are all standing here waiting for you! Call action!"

I try to say it, my mouth isn't working. Seconds, tens of seconds of film, going to waste. Hundreds of dollars of processing and transfer for nothing. I can't say it. Something's wrong with my voice. I try again, taking a deep breathe and....

I'm back at the cabin at McGunticook Campground. It's over. It's already done. This panicked dream, an echo of many months of consumed attention and five days of complete panic, chaos, and in a few quiet moments (not all, just a few) as the camera rolled... bliss.

Preproduction

Almost all of preproduction occurred as I worked as a videographer on a cruise ship in the Caribbean. Phone was expensive. So was Internet as hundreds of dollars went to simply communicating with my team. I would sit on a mountaintop in St. Thomas drinking a pina colada while talking over the shots with the DP duo Chuck & Twist in Montreal.

I felt, sometimes, like Daniel Ocean, collecting his team for the heist of the century. "We need one more don't we? One more." But it wasn't 11. It was 15... 19... 25... CUT! We cannot have more than 25 people on this project! Who's paying for this? I am. Who has to house, feed, and cover associated costs for 25 people! I do. We stop at 25.

Hitting the Ground

After 6 months at sea, I had given myself two weeks before the start of production. We had, it seemed, a window of a single week in August to get access to the most equipment at my old film school, The Maine Media Workshops. Week one on the ground was also a tour de force of family members that needed to know I hadn't forgotten about them out on the ocean, family members quite unable to understand the dire timetable I was on. If ever there was a lesson I learned on this shoot it is this: two weeks on the ground is not enough. My next shoot, if there is one, will have a completed shooting schedule before the production dates are set!

A week before shooting we had two days of auditions: one in Boston at M.I.T, and one in Portland at the Maine Film Office. Despite our best efforts, the turnout was tragically low, and while there was a quite a selection for the lead character (Joanna: age 17, slight-average build, long hair preferred), we had only an ill-fitting (or unavailable) selection for the male roles.

Days before production, we STILL had not locked locations, male actors, or an Assistant Director. Do you know what the assistant director does? The assistant director in charge of the set so that the director has time to direct! I turn to Jo (the associate producer) one morning as we wake up on a friend's living room floor. "It's done," I say - giving the death sentence. "Bad planning. I've got to call it off before it's too late. This is going to be a train wreck." For months I had felt like a long distance hurdler, and every obstacle was a hurdle I had to overcome. As I hit the ground the distance between the hurdles shortened. The hurdles got taller too.

"Just wait until the weekend. Give it time. It's coming together. There are other people helping you now." Jo gave me some faith, when mine was failing. By Friday the French Canadian contingent (4 more people) had arrived. Too many people were in town now, making talk of quitting was now no longer a singular decision, but an all out fight that I wasn't prepared to make. I tried not to hate Jo as I quickened over the hurdles, now aware of a steam engine at my back, and I could not get off the track.

Shooting was to take place Wednesday. It was Saturday night and I was doing a telephone audition with my, now, only option for one of the male roles - Sandy. Lacking any other workable alternative that I could see for the other male role - I cast myself. "We've compromised too much," I told some close crew members. I was in a dark mood that night. "It's over, I just want you to know that whatever I though this piece could be - it can't be that anymore. Just a poor imitation."

We found an AD. Emilie, a professional director, and one of the Directors of Photography's cousins enthusiastically agreed to come aboard.

Sunday night, The Maine Media Workshops, let us in on another hurdle. "More classes are using equipment than we thought. Also they're using all the sound equipment." For a period of time, "The Nightingales Sing" was a silent movie.

Jon, a man who answered an online ad for an unpaid grip position, just happened to be a sound expert. He rented a Uhaul (on me of course) and brought the sound equipment and other basic necessary supplies we needed to get the job done.

Jim, playing Sandy, arrived on Monday and delivered his first live read of the character. It was off. Jim is a super type A, the character Sandy is a super type B. I gave some direction and we tried again. Just as completely incredibly off. We're fucked. I take Jo aside. Jo also happens to be an acupuncturist and very in touch with her inner self. "Jo, you've got to help me. We've got to get this guy doing some regular meditation sessions, Tai chi, something!" I can feel the cowcatcher on the back of my ankles.

Miracle on top of miracle came together to make this shoot happen. So much so that it is hard to feel that it wasn't somehow fated to happen. It all came together in 5 crazy days of shooting. I made a lot of bad decisions on this project. The worst was to finish pre-production so unprepared. It made everyone's job so much harder for the entirety of the shoot. I can make excuses about my lack of experience, and some things that fell through, and some people that let me down, but I would rather focus on something I did right. I picked the right crew. We pulled it off. The shoot was a success.

And Jim, the type A, who on his first read went WAY too far into some sexual deviance of his character, he was actually not too shabby - and a great singer to boot.

I loose my linear narrative at this point. Too little sleep. Too much adrenaline. Someone else will have to tell you what happened from this point on. I just have the voices in my head...


Production

"You have to eat look at you!"

"David, this decision has already been decided. There is no compromise. Everyone is against you. Oliver disagrees with you, Emilie disagrees with you, Genevieve has changed her mind and now disagrees with you. We have to use the second barn, it's the only way. When you sent that text at 4 am saying you changed your mind and want to use the first barn, I couldn't go back to sleep at all."

"I couldn't go back to sleep until I sent you that text! It's the wrong barn! Just because you French Canadians all came together doesn't mean you can gang up on me. You TOLD ME the the first barn would work. And it's the only one that fits the damn story! Is this production now a democracy? Do we really need a director at all because it seems that everyone else is completely comfortable doing my job!" Note: I learned that though an unpaid production is not a democracy, as every person is vital, every person, if they chose, can also dictate.

"David, sit and eat!"

"So it looks like the schedule will be all night shoots. 5 pm to 5 am."

"You pretentious piece of shit, learn how to use a light meter!" (they hugged it out later)

"You know what Dave, you're going to go somewhere. You're good people."

"And another thing - ENGLISH ON SET!"

"So do you like the room we created?"

"Yes, but lose these pillows, lose that chair, lose the books, lose the blanket, lose anything else that looks pretty."

"As you wish."

"I've gone back to the campground and will be staying in a tent. I can't take it anymore."

"Eat this now!"

"This is one of those things that I can now check off the list of things to do before I die."

"I'm so glad I met you."

"We've just spent two hours lighting a damn pipe!"

"This was an incredible experience."

"I'm ready for the next shot."

"But you're not in wardrobe!"

"I want to work on your next project."

"That's a wrap!"

"I had SO much fun."

Day four of the shoot, the sky is lightening. The primary location is looking like it did before we arrived. The equipment has been loaded and has left already. The only people to stay behind are me, Jim Powers (playing Sandy), and Jon Frost. Jon sits on the stairs holding the boom pole in this big vacant room. Jim plays the song one last time. I make a slight modification. He starts over and we try again.

We're all exhausted. The hardest days are over. We sit there under a single light bulb, the boom pole hanging down. Jim soulfully fingers the last few strings on the guitar.

We wait as Jon plays it back, listening intensely with his hands on his headphones. There's color in the sky now, a nice blue and the fog seems to be clearing. Such a strange moment. Such a strange combination of people never to repeated again.

"Sounds good." Jon looks up. We move on.


Post Production

We got every shot that we think we need. It's like carving a jigsaw puzzle piece by piece and then we cross are fingers and hope the pieces somehow fit - that it cuts - and that the picture on the puzzle is still at least as good as the one the picture I saw in my head so long ago.

Processing and HD transfer will occur at Technicolor, Canada. It will be put on a hard drive ans shipped to me in Camden, Maine. Here, my friend Matt Perez has agreed to be the assistant editor. He'll log all the clips and put together the assembly.

When he's done, he'll nod his head or he'll shake it. That's when we will know. I've come around since my thinking before production - my talk of it just being a poor imitation and all that. If he nods... we may have something.


August 1, 2009

I'm Off A Boat

It’s finally over. Writing you now from the bus as we head from Port Canaveral to Miami. It feels like I am breathing deeper. I had an amazing time on the Carnival Glory – yesterday and the day before were a bunch of heartfelt goodbyes – and I’m leaving the ship a strong and much more optimistic person than when I started. Tonight will be my first night sleeping on dry land in half a year! Oh to be couped up in one big building for so long! I’m still checking my watch to make sure I’m back aboard on time.

Life got busy on board, so I do apologize for not writing. Girlfriends take up a lot of time! I met Jo my second week on board. She was the new acupuncturist, but still it took several months before I could manage a halfway decent conversation about Qi (pronounced “Chi”) in the crew bar. To see her again, I lamented about my back pain, and she just couldn't say no to offering to treat me. A few well placed needles later, and I was in. Even if I didn’t see her in the crew bar that night, I contend we would have met sooner or later. We were both displaced people. I think neither of us felt we totally belonged. She was more mature than most of the spa girls, and I, well, I never really planned to be the video guy on a cruise ship. It’s not really close to what I want to do in life and the similarities have more to do with lifestyle than technology.

She saw me off this morning and I got a little teary-eyed. I really don’t know what it would be like if I would not see her in ten days; she’s associate producing my next short film in Maine. The film has been the other thing taking up my time. Never a day goes by without some small victory or defeat, and my mood is often dependent on how the preproduction battle is going. Today, I am winning.

The film called “The Nightingales Sing” is based on a short story that appeared in the New Yorker in the 1940’s. I read it in an anthology titled “Greatest Short Stories of the 20th Century.” I could go on and on and on about this film, but I’ll spare you. Just call me up and inevitably we’ll spend a good deal of time talking moviespeak. Jo points out that when my mind is on the film I turn into a not-so-great listener, so I’m making an effort to compartmentalize my time and mental energy to still be able to nature relationships (and to sleep at night). This film does consume me now. We go into production August 19th.

I regret not writing more often. Too much happened that could have used investigation, exploration, interpretation… I’ll leave you with just a few lessons I have learned on this ship in a very intimate way.

1. Your mood is determined by who you know.

When I first came to the ship I saw it as an intimidating and soulless place. My new co-workers with their gulag type attitudes confirmed this for me. I saw friends working so hard, barely having time to sleep, as they adapted to the long hours on the cruise ship.

But after a while, I naturally drifted to those that shared my experience and felt some enjoyment in their day. It was quite a strange thing to know that so many different feelings: heartbreak, longing, the taurine and alcohol buzz at a killer party, casual sex, and a good laugh could all occur so closely together.

In the end, it is more than easy to overlook suffering when it is not mutual. Indeed, it is inevitable.

2. Friendship happens all at once.

It is quite interesting to me, that as a someone who came to the ship not knowing anyone, I can pinpoint exactly how my friendships came into being. The friendships I formed on the ship are some of the most treasured I have ever had. Interestingly enough, none of them occurred over time. They deepened over time, but the friendship was, it seems, an instantaneous agreement.

On the other hand, I did have other friendships that developed over time, but these were distinct for me and seldom crossed over the line to become "good friends."

There was risk involved, but this risk went hand in hand with a definitive feeling of wanting to get to know the other person and vice-versa.

3. Vacation is a state of mind

One of the best things about working on a cruise ship was that I was on vacation all the time. Most crewmembers did not feel on vacation, but I had the luxury of interacting with the guests and their mentality inevitably rubbed off.

Likewise, there were many guests that, although they were on a cruise ship, were not on vacation. I could tell who was going to have a great cruise from the first embarkation drill – the smile on their faces, their excitement. Whereas, the dour faces carried with them an expectation that they paid for a vacation and they were waiting for it to make them happy. That mentality won’t get them anywhere.

So, sometimes I'd sit in my bunk after a day’s shoot. The video is capturing onto the hard drive and not yet ready to edit. There’s really nothing to done expecting mix myself up some rum, play “Margaritaville” or some Bob Marley and crack open a good book. The sunlight never makes it’s way to my bleak and boring little cabin, but I know it’s there and that makes all the difference.

Cheers mates,
DSM


June 1, 2009

Cruise Ship Photos

Hello Everyone,

I am sorry it has taken me so long to write. I guess I kind of adapted to life here on the ship. It’s gotten faster. I haven’t touched my guitar in months now. Two things have happen that have really changed things for me:

  1. I am making a film.
  2. Jo.
I promised I would share some pictures of my luxurious home. Here they are:


Come on in! Welcome to the grand tour.


Upstairs we have the Master Bedroom.


The kitchen is where I cook up some great meals. Beer meals. Rum Meals. Jim Beam meals. What’s that you say? You prefer Bowl of Noodles? I do that too.

As you can see the Kitchen is centrally located. It’s only a step away from the TV room.


Here is my office where I am often found working on things that involve my computer. Sometimes though, I need a change of environment. That’s when I retreat to….


My study… This is where I do all of my really important thinking. Now I’ll show you my backyard, just let me freshen up first…

Hey, don’t you know how to knock? I’ll be right out!

My roommate (and co-worker Kirk) took those last few pictures. It made him feel really awkward. But he was a good trainer, a good friend, and a good sport. Now he’s gone and been replaced by someone really annoying. When he left all his friends put up embarrassing photos of him in the crew bar and painted our hair blond (yes, my idea).

Now, let’s get a breathe of fresh air in the backyard. First just let me lock my door in this completely non-descript hallway.

Today my backyard is in the Bahamas. It is also 10 paces away from my room.

Occasionally you’ll find me chillaxing in my jacuzzi. The water is so clear here that I went in with my clothes on just for effect!

Also, here's a picture of us playing around with a really big laser.

This concludes my painfully cheesy tour. [Applause]



April 18, 2009

Week 9: Friends

"He gets us all together and says we must work as one and help each other. We must be a team." Aleksander is frustrated and shakes his head. He is talking about a meeting the wait staff had with the Maitre D'. "But in a team, you do your job and I do my job. I don't do your job."

Aleksander is upset from the meeting. He has a huge build and an expressionless face – an Eastern European manner where smiling does not come naturally. I think he is intimidating to people and my first impression of him was – what a thug - but I am so glad to know him. He has the calmest kindest eyes, but what he says next just shocks me. He is coming to the realization that his ability to advance in his work has been made difficult. His original placement was in a position where is he seldom visible to his superiors. "It just hurts," he says.

I watch him during my late night snack as he stacks cups. Always stacking cups. Not complaining. Not unaware, but patient to a level that would be difficult for me. He is 34. He has seen war in his country and worked in Africa, in Rwanda even, soon before he joined the ship. He'll see me and we'll wave to each other and there's a deal of friendship in that wave. Aleksander has now changed shifts. He works in the buffet on the top deck in the morning and in the staff mess where I can see him in the afternoon and evening. "I get to see the sun," he says.

Aleksander makes a point to buy my drink at the crew bar. Two months and our shifts have only now allowed us to share a drink together. It's past twelve and, still, he has to get up at 6 am, but he's making an exception for me. "I don't know how much more I can take. I've got to figure something out." He is mad because his capabilities are not being utilized. It hurts to be where he is. "Look Dave. I'm an assistant waiter!"

"Yes," I agree. You can do better." I immediately regret what I just said. He was telling me he was capable of more and I was telling him he could do more. These are very different things, and I was doing no justice at all to the hole he is in. Who am I to have placed any sort of judgment on the course of his life, his country's recent history, or the long and difficult path that led him here? That led him to me. That led him to the galley of the cruise ship.

In a way, Aleksander is socialism and I am capitalism. I am dreams and wild ambition and he is the practicality of simply wanting to have a companion and support her and a family. His father was a worker, his mother was a worker too, and they have passed on these simple honorable values to him. But still, this giant of a man, looks sadly at his bottle of beer. "You can only take so much." You can take it Alecksander, I am thinking. If anyone can you can. It is not too much to ask for. As strong and solid as he is, he might as well be the statue of a powerful socialist figure presiding over some town square. He has wrapped around him, the ropes of the failed socialist system and the conversion to capitalism. I cannot bear to watch him fall.

Sunil sits with me at lunch and it is the same. I'll be washing my hands before I eat (hand washing is big here) and someone will tickle my sides. I imagine it to be some beautiful women, but no, it is just Sunil with a big smile – the next best thing. The Indians love to touch. He can't stop laughing and his audience makes even me a comedian. But as conversations do, it goes into a lull. I catch Sunil looking at the ground. "What is it?" I ask. The others at our table do not pick up on this exchange. "You know," he says as he goes back to smiling.

It is the same with Sunil as it is for Aleksander. The same - but different. It is the same for everyone on the ship. We are all in the process of going somewhere, in the condition of wanting to be in a woman's arms, and in the way of wishing for a place called home that we can sustain.

But it's not all so sad. I have been graced by some good friendships on this ship and walking into the crew party or the staff mess I'm no longer a stranger. I still occasionally sit by myself in the mess, but more often than not someone will come to keep me company. There have been moments where there are too many people to talk to and I must be careful not to let one of them go unrecognized. I'll never be Mr. Popular on this ship. I don't have it in me and besides, that's the cruise director's job. But that makes these moments so much better.

And Aleksander today in the staff mess joking with me as I order food from him. "Alright sir. Right away." And me joking when he comes back with my sandwich, but not really - "don't ever do that again."

March 24, 2009

Week 7: Livewire

"Music is like water," says James - this longhaired mustachioed blond musician with a Carolina drawl. I look at him and I know what "washed up" means.

Music is like water. James tries to teach me the guitar, but I'm not sure he knows how to teach it, and after years of not practicing, I am doubting my capacity to learn. I pick up the guitar every other day or so and practice a little, but to be honest, it's become more pain than pleasure.

Music is like water. James said that to me a couple of weeks ago, but it has stayed in my head. This calm gentle man, he plays lounge music in the lobby, and the music, maybe, sounds washed up too. They go together. I think that James really understands the guitar and he plays it like a part of himself. He's waiting for retirement.

Life is like water too. Always flowing. Inevitable. I imagine my hairline is receding and the lines of my face are coming in clear. As if I can feel my youth slipping away and looking over at James's face, feeling his spirit drifting idly at sea, I can understand that. Too well. If life went in different directions James and I could stand up and switch chairs. I'd be him and he'd be me. I would twirl back my long hair and say "Come on James it's easy. You tell me anyone can do it." And James would pluck a few ungodly sounding chords and pronounce, "Damn you Dave! Damn you to hell!" Then we would laugh deeply about how silly the whole life thing is.

But we can't do that. Life is too simple to work that way. There's a synapse in my brain that is firing wildly "Now David, Now. You don't get a second chance." It doesn't fire all the time, but when it does it jolts the hell out of me. I feel a profound sense of place and a sense of purpose – a taste of dreams. It's just a little electrical connection between a couple of neurons in my brain that, truth be told, I have had all my life. I remember instances. This synapse cannot go on firing at such a heavy rate forever. Its already quite painful and I know that if this, well if anything for that matter, goes on unrequited too long, the pain becomes greater than the diminishing returns.

I imagine the life of a washed up filmmaker is comparable to the life of a washed up musician. It's not so silly then.

Gayla sings at the piano bar every night except Wednesday. She's asked me to help her make a demo video so I'm filming her. When I finish it's late, but I hang around and throw a few back. She sings all of the best of them: Piano Man, Fire and Rain – during my request, Tiny Dancer, (she didn't know "I guess that's why they call it the blues", but she's going to learn if for me). She throws me this knowing look and my eyes start to water and I look away. It's such a beautiful song, but I'll blame it on the alcohol.

That look that she gave me, the one that got to me, I won't believe it wasn't authentic, but that's her work. That's what we try to capture on video, the way she works the crowd. "I don't like that one shot," she tells me when she views my cut. "The close up? Why? What's wrong with it?" "Oh, I don't know, I'm too self critical." But finally, "It's been a long contract."

Gayla turns to cough. She's still recovering from a respiratory illness. They finally made the piano bar nonsmoking, but a little too late. "They're probably worried about liability," she says. "They should be," I say. We talk awhile. She's trying to make it through the contract. "Oh I'll go back to Ohio. My agent says maybe Cancun, but I really have no idea where I'll wind up."



I know the feeling. I don't have any certainties. I often feel I don't have anything to hold on to, but I try to just put one foot in front of the other in a direction that seems good. One day, the day will come.

Until then, I'm grateful to those who read me and keep me sparking.

-DSM

P.S. So I'm changing rooms. They are running out of rooms so they are giving me a luxury suite! Tune in next week to find out if I'm telling the truth and for pictures of my new room!